Bradley Cooper’s initial directorial venture, “A Star is Born,” seemed to serve as a prelude to “Maestro,” as both films delve into the cost of art and loving an artist. The newer production follows the real-life story of conductor Leonard Bernstein, featuring compelling performances by Cooper and Carey Mulligan that anchor a movie which might not always be straightforward but is definitely far from superficial.
Before delving into the film’s essence, it’s worth addressing the controversy stirred by Cooper’s prosthetic nose, used to better embody his Jewish character. While the practice of actors altering their appearance is not new—and despite support from Bernstein’s family—some found the stereotypical portrayal discomforting. However, watching Cooper immerse himself in the role is bound to dispel any initial unease.
Ultimately, much of the allure of “Maestro” lies not in what’s seen but in what’s heard—the way Bernstein’s music sets the tone and ambiance while honoring his artistic brilliance. Cooper goes the extra mile to showcase the conductor’s dedication, capturing Bernstein’s wholehearted commitment and the repercussions of his creative fervor.
The film begins with a young and promising Bernstein, romantically involved with another man (played by Matt Bomer, currently navigating similar themes in Showtime’s “Fellow Travelers”). However, his life takes an unexpected turn when he meets actress Felicia Montealegre (Mulligan), leaving those around him surprised, including his sister (portrayed by Sarah Silverman).
As Bernstein gets married, becomes a father, and attains fame, his attraction to men persists, causing strain in his relationship with Felicia, who mostly chooses to ignore it—except when it becomes too overt, leading to moments of tension.
Through Felicia’s character and Mulligan’s poignant portrayal, “Maestro” becomes a tale of sacrifices, compromises, and how Bernstein relied on her to nurture his musical talent amidst emotional conflicts.
Cooper, who also shares screenplay credits, expertly replicates Bernstein’s mannerisms, adopting his staccato speaking style and resonant voice, lending a rhythmic quality akin to a jazz riff. The film transitions from black and white to color, cleverly mirroring the evolving times.
Despite its dramatic core, the Bernsteins’ lives together unfold at a steady pace, which might become more apparent as the movie transitions from theaters to its primary home on Netflix. Still, witnessing Cooper and Mulligan portray their characters across time leaves an indelible impression, fostering a deeper admiration for Bernstein’s complexities and contributions.
Backed by luminaries like Steven Spielberg and Martin Scorsese, “Maestro” unabashedly eyes awards, benefiting from Netflix’s embrace of such artistic ventures.
Cooper and Mulligan’s performances are bound to be part of award discussions, if not the film itself. While “Maestro’s” contemplation of art might not resonate with everyone, Cooper has proven that his exploration of these themes is more than skin deep, regardless of the facade.
